Jaleo:Action and effect of cheering, also collection of admiring expressions, phrases and interjection that they lavish to express enthusiasm or to cheer the performers. It can be given by both the audience and the performers themselves. Some of the expressions in Andalucian phonetics are: ¡Olé! An exclamation of approval or ancouragement ¡ezo e! ( eso es ) That's it! ¡toma! Take it! ¡vamos allá! Go there .
Jondo:According to a subjective evaluation, it is an expression of the flamenco with which they call certain styles that expresses solemnity, archaic taste and primitivism, in short, those cantes, bailes and the guitar that are characterized by the expressive strength of their feelings and the vital deepness. .
Juerga:Party or gathering of aficionados and performers in an ideal atmosphere for the best performance of the cante, baile and music. .
Llamada:Movement of the baile to let the guitarist or cantaor know that the rhythm is going to change. .
Palillos:Castanets. They are not used in pure flamenco styles. .
Palmas:Accompaniment for the cante and the baile, adjusted to each style. You have to beat with the fingers of one hand on the palm of the other, or clap both palms. .
Palmero:Person who claps hands.
Palo:Each one of the musical structures which exist in the Flamenco. Some of them, in the cante, only differ themselves by the theme. .
Pasada:To pass a partner during the course of a dance. It can be De pecho ( passing chest-to-chest ) or De espalda ( passing back-to-back )..
Paseo:A walking step which connects two sections of a dance. The dancer may walk around striking arrogant poses without losing the timing in the steps. .
