The reflexions of a young author, who has joined to the flamenco without any politic remora or remora of flamenco transitions, confirm what has been described before, particularly in one of those elements: "The decline of the festivals coincides with a series of factors, which is worth analyzing, to a good extent. First of all, in no way, the artists feel the need of learning on site any more.

Most of the time, they perform and they are not even interested in what his / her group member sings any more [...] the bar counter of the place is usually more successful than any artists [...] a repetition of certain types of flamenco happens, which is normally turns out to be tedious for the audience". 1 There is a great core of the truth, which is commented by many people insistently. But the reality is obstinate and in the year 2006, they restart the festival de Osuna and in 2007, they celebrate the first festival of Marinaleda.

1, Martín, Juan Diego: Jondo. Ediciones Barataria, Barcelona, 2006